Port outlet of Portsmouth, 18x12 Signature Series Print

$133.12
#SN.583151
Port outlet of Portsmouth, 18x12 Signature Series Print, Port of Portsmouth 18x12 Signature Series PrintSignature Series limited print run of 100 Only 100 prints of.
Black/White
  • Eclipse/Grove
  • Chalk/Grove
  • Black/White
  • Magnet Fossil
12
  • 8
  • 8.5
  • 9
  • 9.5
  • 10
  • 10.5
  • 11
  • 11.5
  • 12
  • 12.5
  • 13
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Product code: Port outlet of Portsmouth, 18x12 Signature Series Print

Port of Portsmouth, 18x12 Signature Series Print

Signature Series limited print run of 100. Only 100 prints of this work in this size will be made available.

Mat Opening Size: 18x12" (17.5x11.5" actual)
Finished Size with Mat: 24x18" (mat included)
Fits Standard Frame: 24x18" (frame not included)

A fine art giclée print of an original watercolor by Kimberly Cooper. From the early spring to the late fall, the decks of Portsmouth are always crowded, especially at sunset time. This scene shows why. It captures the Portsmouth tugboats outlet against the backdrop of the Sarah Long Bridge and a spectacular sunset over the fast-moving Piscataqua river.

Our Prints:
We are offering the best print technologically available that is color accurate and virtually indiscernible from the original. The print comes with a conservation-grade bright white mat and backing board.

To ensure you receive a lifetime of joy from your purchase, our artist signature prints are painstakingly color matched and printed onsite by ImageArts in Portsmouth, New Hampshire. These prints are held to the industry's highest standard of print quality and longevity. They are created with an Epson 11880 using UltraChrome K3 archival inks, the standard by which all other art prints are judged. The William Turner FineArt Paper from Hahnemuhle is a heavyweight, textured, archival-grade product that is ideal for watercolor reproductions.

NOTE: As with any piece of fine art, it is highly recommended to choose a display location that is not in direct sunlight.

About the Mats (not just “acid-free”):
We use only Crescent® Select conservation mats and backing boards. These highest quality mats are made with 100% virgin alpha-cellulose surface, core and backing papers and are both acid-free and lignin-free. Conservation Mats have a protective lifespan of 50+ years.

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